The Invitation by Matylda Konecka
The Invitation by Matylda Konecka
The Invitation by Matylda Konecka
The Invitation by Matylda Konecka
The Invitation by Matylda Konecka
The Invitation by Matylda Konecka
The Invitation by Matylda Konecka
The Invitation by Matylda Konecka
The Invitation by Matylda Konecka
The Invitation by Matylda Konecka
The Invitation by Matylda Konecka
The Invitation by Matylda Konecka
The Invitation by Matylda Konecka
The Invitation by Matylda Konecka
The Invitation by Matylda Konecka
The Invitation by Matylda Konecka
The Invitation by Matylda Konecka
The Invitation by Matylda Konecka
The Invitation by Matylda Konecka

The Invitation by Matylda Konecka

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£99.99
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£69.99
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A collection by Polish born artist Matylda Konecka

Matylda was born into a highly respected family of artists. She graduated from Wroclaw University of Environmental and Life Sciences. She moved to the UK in 2010, and is a full time artist,, specialising in these magical and mysterious illustrations, and has designed many album covers for established bands.], she also has a special love for Scotland, and we are very proud to represent these pieces in our collection

Matylda says:

‘I see myself in two different worlds. One is fairy tales, a little creepy, but humorous. I think the dark and magical creatures are part of me; I would like them to be my companions for a long time.The other world is abstract, things which I can’t say literally, but want to express strongly. I like to build a very personal universe, a mixture of dreams and fairies with colour and melancholy. In my work I wanted to show how I perceive Scotland; I used elements from the cities and the most beautiful landscapes of the country and created my own stories from them. Scotland seems to me to be a place so vivid, colourful and magical that I couldn’t help but show it in my art. In many of my works there are elements referring to the history, traditions and legends of the area. Edinburgh has a very rich musical heritage, famous for its festivals, opera, jazz and folk culture. I feel this musical atmosphere spreading throughout Scotland, and this might be the reason why there are also so many instruments in my work. This is how I see Scotland.’